I have the same problem talking about Cromartie High School that I did talking about Azumanga Daioh: I can talk about the words, but not the music. Adjectives like “deranged”, “demented” and “surreal” sort of fit the bill, but again, they’re just labels — they don’t really describe how the show functions like that. Maybe it’s better if I start by saying that Cromartie had me laughing harder and longer than almost anything I’ve seen out of Japan recently — certainly more than Haré+Guu, which had an inspired opening that it never followed up on. Cromartie comes out of the gate sprinting and never stops.
The show’s an adaptation of an equally bizarre and hilarious four-panel comic series, now also available in English, and the adaptation is faithful enough that many of the situations are essentially reiterated line-for-line. This isn’t a bad thing: they were funny on paper, and through a peculiar attention to how the show is put together, they’re funny on the screen as well. Sometimes this sort of thing doesn’t work at all, or stumbles — the comic version of Excel Saga is not only a little funnier than its TV antecendent, it’s actually more interesting — but here it all clicks.

Kamiyama and his cronies tangle with all manner of bizarreness of Cromartie High...
like the fact that one of their classmates is a robot and no one seems willing to admit it.
The show allegedly deals with a collection of delinquent students in “the worst school in Tokyo”, Cromartie High, but don’t believe it for a second. Yes, there’s a bunch of students and yes, they’re delinquents in school, but the show is not really about any of that stuff (there are apparently no teachers and no classes). The setting is just a launching platform for a series of increasingly outlandish situations. Consider the main character, Kamiyama, a classic example of a shonen straight-arrow character: he writes his mother dutifully, actually cares about getting good grades, and would sooner jump off the roof than disappoint anybody. The genius of the show is how his personality (and everyone else’s) is made into comedy — as when he inadvertently one-ups a rival in a joke contest, not just once but again and again.
One basic approach the show takes to its characters is to place them in the one exact situation where they are helpless, watch them flail around, and then move on to another gag before it wears out its welcome. The best example of this is another student, a bullet-headed bruiser who never loses a fight, but has one enormous weakness: he gets motion-sick easily. He ends up on a school trip…on a bus that winds through an endless array of mountain roads. Kamiyama feels bad for the guy, and offers him a generous helping of his pudding snacks — after which we cut to the poor dude being taken off the bus in a stretcher. The joke gets revisited again later with a whole new set of parameters (this time it’s a taxi), but it becomes all the funnier now that we know what can happen, and the punchline made me spit coffee at the screen.

Among the other students — a gorilla, a fellow who looks like Freddie Mercury,
and a bruiser who spends most of his time in moving vehicles being motion-sick.
Another way the show works is to give the characters a situation that’s impossibly weird, and have them react to it totally straight. One of the other kids in the school is Mechazawa, a robot — except that he never says he’s a robot, and nobody ever works up the nerve to say that Mechazawa is a robot, but boy do they ever find clever ways to skirt the issue. (At one point someone gives their CD player to Mechazawa to fix and he shrugs it off, insisting he’s no good with machines.) What’s weird is that normally this kind of humor grates on my nerves — there’s nothing more painful than a joke that overstays its welcome — but somehow the way it’s staged and played off in Cromartie is genuinely funny, and stays funny.
Then there are things that have no precedent in anything at all — like the student who never says a word and looks exactly like Freddie Mercury, or the two gorillas who are somehow also students, or the weird little Jack Davis-like non-sequitur happenings taking place in the corners of the frame during the most straight-laced scenes. None of this stuff is in itself automatically funny, but in context with everything else it’s inexplicably hilarious. The show also doesn’t waste any time: each episode is only 15 minutes long, so instead of taking one basic idea (or two, or three) and drawing it out interminably, it packs as much as it can into a smaller space and probably works that much better as a result.

Comedy's hard to do right, but somehow Cromartie nails it, and
actually gets funnier as it gets more outlandish.
Cromartie was recommended to me by a good friend who shares some of the same sense of humor I do, and understands that of all the possible genres a piece of entertainment can inhabit, comedy is one of the hardest to get right. This show gets it right by having its characters play everything as straight as possible, a tactic which runs the risk of failing miserably if they don’t keep it up just right. Here, they pull it off, and then some.
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I wouldn't put it exactly in those words but i know what you mean, the thing is, i see that a lot more in american comedies, not just in the sitcom format but in most mainstream comedy. Let's not even start with most CGI animated films, the disney-estereotype of "because it's cute it's funny" hasn't died at all, it's just that now cute characters do raunchier stuff.
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Telling the audience when to laugh is definately integrated into mainstream comedy everywhere in the world. So this begs the question, does Japan have an "alternative" comedy scene of some sort? Is there a Japanese equivalent to "Arrested Development" or "Mr. Show?" I'm sure there is and I wish I'd hear more about it!
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Having just watched the first DVD, I can say this: I love the English dub. The Japanese subtitles aren't nearly as funny, and hats off to the actors on the English audio.
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I have been cautious abou approaching this type of "weird/offbeat" series, it's hard to predict which one will really crack me up and which will get on my nerves, even if they are somewhat similar. Mind you, i do like offbeat humour a lot, stuff that seems to come out of nowhere and then go out just like that, but the real problem is that many times it's not very re-watchable. While i could watch endlessly something like Invader Zim, and found stuff like Furi Kuri funny at it's moment, i never found the humour in Azumanga Daioh.
So that said, this looks interesting, the character design reminds me of the "Even a Monkey Can Draw Manga" books, especially the "serious-stares", not that i'm saying they have the same humour style, just the design. BTW, didn't a live-action movie or tv series came out too? i remember seeing the DVDs already in yesasia, can't remember.
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3 stars is the perfect rating for this show. If it were a 20 minute show I think it would get tired quickly. Because every episode basically messes with the the stereotyical "delinquent" in some form or another, whether it be them singing folk songs or going over to their mom's house.
Also, my next critism applies to all Japanese comedy and I know it's a cultural thing, but I still bothers me!
I'm talking about how Japanese comedy tends to tell the audience when to laugh. They will do something funny, I laugh, and while I'm laughing the show will tell me why I'm laughing. I kind of grimace when this happens and think "I know why this is funny, you don't need to tell me!" For example, when the student mistake a locker for Mechazawa, it's very funny and expertly edited, until Mechazawa shouts, "That's not me!" He even does this again when the joke is repeated 30 seconds later! "That locker is not me, I am over here. I am a robot and therefore I vaguely resemble a locker! I allow you to laugh." That's what's going through my head when stuff like that happens. I'm sure this stems from the uber-polite culture of Japan, where in the past it would be rude to laugh at someone unless they gave you an opening. And obviously this doesn't apply to all Japanese comedy (most anime is made for teens, which is probably why it isn't very subtle), but a lot of the humor is spoiled for me when this happens...
AM I ALONE ON THIS!?
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i love this anime.. very hilarious.. i wish there would be more group pictures
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