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The monetization paradox (or why Google is not my friend) - Charlie's Diary

... if I wanted to spend my time marketing my books I'd have gone into marketing. I'm a writer. Every hour spent on marketing activities is an hour spent not writing. Ditto editing, proofreading, commissioning cover art, and so on. This is what I have publishers for. It's called "division of labour", and it's why self-publishing — unless you're an instinctive sales/marketing genius — is a Really Bad Idea™ for most writers.

I was faced with this exact problem when I kicked off my self-pub venture. I could leave the marketing to someone else and concentrate on writing, or I could do it all.

I ended up doing it all, for one simple reason: from everything I've seen, the stuff I'm producing isn't easily marketed to big swaths of people. It's a niche of a niche, and for that reason I took it upon myself to get it out to the few people I felt would respond most to it. The best way to do that, I thought, was to go and sell to them face-to-face.

Yes, this system has tons of downsides, not the least of which is that it's time-consuming and exhausting. Yes, I do not recommend it to everyone. No, I do not regret doing it for a second, because while I may have a tiny fanbase, they're almost all people I can call by their first names, and I'm not sure I could develop that kind of thing if I went through a conventional up-market publisher.

I'm a writer first and not a marketer, but the more I think about it, every writer needs to have at least some facility in selling their work to an audience. I don't think I'm a marketing genius — if I was, I'd be working in marketing — but I think I know my stuff well enough to be able to pitch it succinctly to the people that matter.

I don't know if it'll be like this in another five years. I'm wildly curious to find out, though.

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This page contains a single entry by Serdar, published on January 20, 2010 1:44 PM.

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Books I’ve Written


Tokyo Inferno

Evil stalks the streets of Tokyo, 1923, and will not rest until vengeance is found. Read a preview (PDF)  or buy a copy now! ($12 paperback / $20 signed)


The Four-Day Weekend

The “otaku novel”—about two guys who try to get away from it all, and end up taking it with them. Read a preview (PDF) or buy a copy now! ($12 paperback / $20 signed)


Summerworld

Fantasy meets psychology. A story of high adventure and deep insight in a place where desire reshapes the face of the world. Read a preview (PDF) or buy a copy now! ($12 paperback / $20 signed)

More of my writing.