Sorry about the silence over the last couple of days. I've officially started writing the as-yet-untitled 2019 novel.By Serdar Yegulalp on 2019/01/17 22:00
Sorry about the silence over the last couple of days. I've officially started writing the as-yet-untitled 2019 novel. The tentative title is The Fall Of The Hammer — a holdover name from a really old project, since I recycled a number of concepts from it into this one.
There isn't much to report so far — a few thousand words, a couple of hurdles cleared. I will say, without spoiling anything, that a few specific aspects of the project stand out so far:
On gauging artistic quality by way of popularity, always a bad move.By Serdar Yegulalp on 2019/01/11 08:00
Bear with me, as I try to distract all of you temporarily from the flames leaping from our collective rooftops.
Nautilus ran an excellent interview with Cesar Hidalgo of the MIT Media Lab, about the way collective memory is a fluid thing. One of the points Hidalgo made seems central to my own:
I read a very good book recently called The Formula by Albert-Laszlo Barabas. He says you can equate quality and popularity in situations in which performance is clearly measurable. But in cases in which performance is not clearly measurable, you cannot equate popularity with quality. If you look at tennis players, you find tennis players who win tournaments and difficult games are more popular. So quality and fame are closely correlated in a field in which performance is measured as tightly as professional tennis players. As you move to things that are less quantifiable in terms of performance, like modern art, your networks are going to be more important in determining popularity.
(Note to self: find that book.)
A small printing issue has surfaced with the dead-tree edition of my new novel, 'Always Outnumbered, Never Outgunned.'By Serdar Yegulalp on 2019/01/09 09:00
If you bought a paper copy of Always Outnumbered, Never Outgunned, I have some bad news for you: The book's internal layout is not as I intended it.
Short version: The headers and footers in the book got switched. The page numbering should be at the top of the page, not the bottom. Apparently I managed to miss this through the whole of the proofing process. (I'll talk to my doctor about getting my pills changed. Promise.)
I'm going to work to make sure this is corrected and post another note, both on this post and on the blog generally, when the problem is fixed.
If you bought the paper book from Amazon and want to swap it for a fresh one, send me an email copy of your proof of purchase and I'll drop-ship you a fresh copy when it's ready, on me.
Note that this does not affect the Kindle or ebook versions of the book, just the print edition.
On Kenneth Rexroth, 'The Tale Of Genji', and the notion of miserable places that can produce beautiful things.By Serdar Yegulalp on 2019/01/09 08:00
I have been reading Kenneth Rexroth, best known for his poetry, original and translated, but also for his critical writings on literature and society. Much of this I've encountered by way of a rather inauspiciously titled compilation, The Elastic Retort, available through the Open Library. There's easily a dozen posts of material to be mined out of my encounter with this man's work, but I want to focus on the implications of some of the things Rexroth has to say about The Tale Of Genji.
"If you understand Zen as a kind of practice to be a best horse you will have a problem."By Serdar Yegulalp on 2019/01/07 08:00
In Buddhist circles there is the parable of "the worst horse", as explained best (says I) by way of Shunryu Suzuki (copied verbatim):
In our scripture it is said that there are four kinds of horses — an excellent one, and not so good ones, and bad horse. The best horse will run before it sees the shadow of the whip. That is the best one. The second one will run just before the whip reaches his skin. The third one will run when it feels pain on his body. The fourth one will run after the pain penetrates into the marrow of his bone. That is the worst one. When we hear this story, perhaps everyone wants to be a good horse — the best horse. Even if it is impossible to be the best one we want to be the second best. That is quite usual understanding of horse. But actually when we sit you will understand whether we are the best horse or the not-so-good ones. Here we have some problem in understanding of Zen. Zen is not the practice to be the best horse. If you think so — if you understand Zen as a kind of practice to be a best horse you will have a problem — big problem. That is not the right understanding of Zen. Actually, if you practice right Zen, whether you are the best horse or worst one doesn't matter. That is not the point.
People need a place to go that's just a place to gather.By Serdar Yegulalp on 2019/01/04 08:00
With most every job I've ever worked, there wasn't really a culture of going out after work for a round at the local down the street. Doubly so now that I work remotely. At one previous job, there were occasional lunch outings to a Chinese place up the road, but the suburban-industrial-park environment we were in didn't have a handy local watering hole for us to repair to. Most of us didn't drink anyway; it wasn't that kind of work environment. But drinking per se has little to do with it.
On Netflix's Black Mirror: Bandersnatch and interactive fiction as a video platform of the future.By Serdar Yegulalp on 2019/01/03 08:00
The concept behind Netflix's Black Mirror: Bandersnatch ought to be familiar to anyone who's ever read the Choose Your Own Adventure books, created games with Twine (or played Twine-developed games), or played anything from Zork on up.
This isn't the first time people have tried to fuse movies and interactive fiction (IF), not by a long shot. There was Mr. Payback, an "Interfilm" that used audience voting to determine how various scenes in a (very stupid) story unfold. There was I'm Your Man (apologies in advance to Leonard Cohen fans), billed as "the first interactive movie on DVD". What's different this time around is that a major, extant entertainment platform is trying to do something with the idea, specifically by making the whole IF concept into a meta-element of the story itself. The bigger implications to me are whether this will induce other video platforms to follow suit, and open the doors to a whole new kind of indie moviemaking and storytelling by way of existing video delivery platforms.
You don't want to run from your influences. You want to walk away from them.By Serdar Yegulalp on 2019/01/02 17:00
Steve Savage has a post where he talks about my discussion of how influences are something to be ultimately transcended, and why that bothered him. He's worried that the need to get away from one's influences and strike out on one's own can become pathological:
I agree with all this up to a point. I think any attempt to grow and reassess has to be done clear-eyed and with good intentions. The part I'm most in congruence with is the idea that you don't want to run from your influences, you want to walk away from them. If you run, you're at risk of dashing your brains out against whatever else comes in front of you, or plunging off a cliff. Running away is the behavior of the newly minted reactionary, someone who simply swaps one unquestioned set of allegiances for another. But if you walk away, you try to find good substitute paths for the one you're already taking.
"...while surely there will be a time to rest, it is not now."By Serdar Yegulalp on 2019/01/01 17:00
This, from Stephen Downes, is so good I'm just going to quote it as-is.
Yes, the world probably existed before me, and it will probably continue to exist after I'm gone, but for me, my life is the universe, and vice versa. This is the state of it.
This coming year I will turn 60, which I suppose will leave me in a state of reflection for the next twelve months or more. It's hard to know how far to plan ahead. I'm as eager to start new things as I ever was, but there's a horizon there.
In The Denial of Death Ernest Becker writes that we essentially live our lives as if there is no end, because there's no alternative. This 'immortality project' is what allows us to transcend the end of our physical existence, by building a heroic and symbolic legacy that carries on no matter what.
So, yeah, everyone is the hero of their own story, and I am no different, and while surely there will be a time to rest, it is not now, and so I continue to work and learn as though that horizon is infinitely receding.
My outlook, my advice, my ambitions also.
On the fictions of the "true story" style of moviemaking.By Serdar Yegulalp on 2019/01/01 13:00
My wife and I have a tradition of watching a movie before midnight on New Years', sometimes another one after. This year's choice was Hidden Figures. I know full well the movie is a fictionalization and condensation of its story, and while I had incentive to track down the book it was based on for the full details, it didn't derail my in-the-moment enjoyment of the film. But it did make me wonder, because movies "based on true events" too often feel like someone's idealized fantasy of what happened.
Science fiction, rebooted.
New York City
Other Lives Of The Mind